Cities are routinely eulogized as harbingers of progress and emancipation, as the locus of innovation and creativity. And, in fact, the historical record of cities in engendering artistic, scientific or societal creativity from the ancient Greece polis over Renaissance Florence, Modern Art Paris to New York’s ‘Warhol Economy’ is impressive. More recently, though, discords began to mingle with the harmonious choir praising the allegedly greatest invention of humanity. The fixation with the unique affordances of urban places, as the critique maintains, has systematically impoverished our understanding of creativity in the periphery. To rectify this urban bias, a veritable stream of research initiatives has been launched more recently to push the focus of scholarly debate on creativity from center to periphery, from the urban to the rural. In addition to an international conference in Berlin on November 21 and 22, the issue is addressed in a special issue of "Industry and Innovation" guest edited by Gernot Graber (University of the Built Environment and Metropolitan Development, Hamburg) and Oliver Ibert (IRS and Brandenburg University of Technology, Cottbus).
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