Cities are routinely eulogized as harbingers of progress and emancipation, as the locus of innovation and creativity. And, in fact, the historical record of cities in engendering artistic, scientific or societal creativity from the ancient Greece polis over Renaissance Florence, Modern Art Paris to New York’s ‘Warhol Economy’ is impressive. More recently, though, discords began to mingle with the harmonious choir praising the allegedly greatest invention of humanity. The fixation with the unique affordances of urban places, as the critique maintains, has systematically impoverished our understanding of creativity in the periphery. To rectify this urban bias, a veritable stream of research initiatives has been launched more recently to push the focus of scholarly debate on creativity from center to periphery, from the urban to the rural. While this challenge of the ontological privilege of the center appears overdue, Edge is not intended to simply shift the view-finder of academic inquiry from one static territorial category to another. Edge rather pursues three more ambitious aims.